Exploring the work of the greatest Japanese filmmakers Until recently, the western world has viewed Japanese cinema through a very narrow prism. For years, Westerners interested in Japanese film had to content themselves with the collected works of Akira Kurosawa, a spotty sampling of films by Kenji Mizoguchi and Yasujiro Ozu, gobs of anime, and badly dubbed monster movies. Many great filmmakers like Mikio Naruse and Keisuke Kinoshita have remained unknown in the West, and Japanese musicals and comedies are hardly known outside Asia. This volume sets the record straight, illustrating an in-dep... [Read More]
The authoritative guide to Japanese film, completely revised and updated.Now available in paperback for the first time, A Hundred Years of Japanese Film by Donald Richie, the foremost Western expert on Japanese film, gives us an incisive, detailed, and fully illustrated history of the country's cinema.Called "the dean of Japan's arts critics" by Time magazine, Richie takes us from the inception of Japanese cinema at the end of the nineteenth century, through the achievements of Kurosawa, Mizoguchi, and Ozu, then on to the notable works of contemporary filmmakers. This revised edition includes ... [Read More]
Those familiar with the author's previous forays into the world of Hong Kong Cinema and Spaghetti Westerns will know pretty much what to expect here, and it falls far short of any dictionary definition of "essential". Short, cursory capsule reviews, short on insight, style and cultural context and high on typographical and factual errors, accompanied by an arbitrary star rating from one to four. The main virtue of Weisser's self-published book is its rigorously completist approach. Even though it states that it is not the aim to include every single film from Japan ever released, with separate... [Read More]
In this revealing study, Daisuke Miyao explores "the aesthetics of shadow" in Japanese cinema in the first half of the twentieth century. This term, coined by the production designer Yoshino Nobutaka, refers to the perception that shadows add depth and mystery. Miyao analyzes how this notion became naturalized as the representation of beauty in Japanese films, situating Japanese cinema within transnational film history. He examines the significant roles lighting played in distinguishing the styles of Japanese film from American and European film and the ways that lighting facilitated the formu... [Read More]
The films of Akira Kurosawa have had an immense effect on the way the Japanese have viewed themselves as a nation and on the way the West has viewed Japan. In this comprehensive and theoretically informed study of the influential director’s cinema, Mitsuhiro Yoshimoto definitively analyzes Kurosawa’s entire body of work, from 1943’s Sanshiro Sugata to 1993’s Madadayo. In scrutinizing this oeuvre, Yoshimoto shifts the ground upon which the scholarship on Japanese cinema has been built and questions its dominant interpretive frameworks and critical assumptions. Arguing that Kurosawa’s ... [Read More]
Kenji Mizoguchi is one of the three acclaimed masters - together with Yasujiro Ozu and Akira Kurosawa - of Japanese cinema. Kenji Mizoguchi and the Art of Japanese Cinema is the definitive guide to the life and work of one of the greatest film-makers of the twentieth century.Born at the end of the nineteenth century into a wealthy family, Mizoguchi's early life influenced the themes he would take up in his work. His father's ambitious business ventures failed and the family fell into poverty. His mother died and his elder sister was obliged to enter a geisha house to support the family. Her ea... [Read More]
This encyclopedia reference work treats a near-century's worth of Japanese films released in the United States in theaters or on video and the important actors, directors, producers and technical personnel involved in them.
Samurai from Outer Space is the first book-length discussion of the suddenly popular genre of Japanese animation. Japanese animation, also known as anime (pronounced AH-nee-may), is gaining devoted fans of all ages and nationalities. A few years ago anime was something of an oddity. Now it is poised to become the biggest cultural import since PBS discovered the BBC. There are anime fan clubs on college campuses across the country, as well as anime fan magazines and anime sections in video stores."Besides examining the psychological reasons for the cartoons' appeal, (Levi) compares anime to Ame... [Read More]
Patrick Macias' TokyoScope: The Japanese Cult Film Companion. TokyoScope is the first book of its kind: an elegantly designed, engagingly written introduction to the world of Japanese pop films covering Godzilla, karate, gangster, horror, Japan's infamous "pink" movies, and more. Did you know that Samuel L. Jackson's Biblical speech in Pulp Fiction was borrowed from the brain-damaged Sonny Chiba karate flick The Bodyguard? Or that the design for the Smog Monster in Godzilla vs. the Smog Monster was based on a bathroom sketch of female anatomy? TokyoScope is a densely packed and illustrated vol... [Read More]
Accessible, fun, and colorful world of snarling gangsters, fire-breathing lizards, and animated dreams full of humor and wonder. While high-art Japanese cinema has been documented and analyzed in the West, popular and cult Japanese movies have remained largely unexplored. The fantastic vintage posters that drew the masses to Kurosawa's samurai flicks, Godzilla, and sexy Pink movies are now available to US audiences. Featuring genre classics and funky retro designs, as well as Anime, Sci-Fi and New Cinema, Japanse Movie Posters also offers irreverent commentary by poster and movie experts, as w... [Read More]
(Taken from the Foreword) Ever watch a kung fu movie and wonder if the style being used is a true martialart or not? Or perhaps, is that a real weapon? Is there a difference between a three sectional staff, a two sectional staff and nun-chaku? Is there such a thing as blind white leopard fist? These are questions I've asked myself and friends many times (well, not about the leopard fist, I just made that up) and never got an answer. My next question was usually “why isn't there a book about these things?”Now there is one.
Asian Extreme cinema is hot, and this book lays it out in all its gory glory. Patrick Galloway, who last looked at samurai movies in his well-received Stray Dogs and Lone Wolves, now takes on Asian masters of suspense, exploitation, the supernatural, and bone-chilling, blood-curdling fear and evil. The films featured here are pan-Asian, including Korea and Thailand, and represent a mix of classics and the contemporary cutting edge. Included are viewing tips and overviews of genres and cultures."Galloway has all sorts of interesting insights and facts that'll make you want to rewatch your favor... [Read More]
This early wizard of modern filmmaking set a tempo for things to come. This collection celebrates 173 rare, original silent films by Georges Meliess, painstakingly gathered by Eric Lange and David Shepard, including his first
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