Best Of New York Goes To Work - April 2024

The Silence of the Lambs

• ASIN: B0097HFD54
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Inside Llewyn Davis

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The Great Gatsby (2013)

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Die Hard

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Café Society (4K UHD)

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Elf

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The Godfather Part II

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Tom Clancy's The Division: Agent Origins

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Black Rain

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Maid In Manhattan

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Episode 1

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They Will Outlive Us All

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The Devil Wears Prada

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Love by Design

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Hollywood Collection: Burt Lancaster Daring to Reach

• ASIN: B003M8VNDU
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More Is More : How the Best Companies Go Farther and Work Harder to Create Knock-Your-Socks-Off Customer Experiences

9781138046788

• UPC: 55600192

Personnel: McCoy Tyner (piano); Gary Bartz (saxophone); Terence Blanchard (trumpet); Christian McBride (bass instrument); Lewis Nash (drums).Recording information: Avatar, New York, New York (11/18/2003 - 11/19/2003).ILLUMINATIONS finds McCoy Tyner, some 40 years after his best-known work (as a member of John Coltrane's legendary early-1960s quartet), still kicking. Tyner's energies as a session leader, composer, and ever-progressive musician haven't flagged since the mid-'60's, when the pianist started heading his own dates. On this 2004 album, as per usual, Tyner has surrounded himself with some of the finest personnel in jazz, including bassist Christian McBride, sax player Gary Bartz, and trumpeter Terence Blanchard.Tyner's music is appealing for its balance of familiar hard-bop vocabulary and intricately wrought structures--it is rhythmic and accessible, yet intellectually engaging. Tyner plays with great vigor, mixing virtuoso classical flourishes with bold chords and dazzlingly complex solos. His compositions here touch on avant-bebop ("The Chase"), Latin groove ("Angelina"), and smooth swing (the title track--on which all the musicians get a chance to stretch out). Blanchard's playing is especially notable, substantiating the melody lines in the chorus and blazing on the solos (as on "New Orleans Stomp," driven by a classic second-line beat). The high quality of music here--in conception and execution--should come as no surprise to long-time fans of Tyner or his sidemen.

Mccoy Tyner - Illuminations (SACD NEW)Label: TelarcFormat: SACDRelease Date: 22 Jun 2004No. of Discs: 1UPC: 089408359965Details1. Illuminations2. Angelina3. New Orleans Stomp4. Come Rain Or Come Shine5. Soulstice6. Blessings7. If I Should Lose You8. The Chase9.

• UPC: 3465201

Personnel: Bud Powell (piano); George Duvivier, Charles Mingus (bass); Max Roach, Art Taylor (drums).Recorded live at Massey Hall, Toronto, Canada and in New York, New York in 1953. Originally released as a 10 inch LP on Debut (3).Digitally remastered by Phil De Lancie (1991, Fantasy Studios, Berkeley, California).The centerpiece of JAZZ AT MASSEY HALL is a Bud Powell trio performance recorded in Toronto's Massey Hall in 1953. This concert marked a return for Powell to the concert scene after a one-year absence due to illness. While there are many compelling performances on the release--not only by Bud, but also by his bandmates, bassist Charles Mingus and drummer Max Roach--as a whole, this release is an intriguing hybrid.Also included here are excerpts from a nightclub performance during the summer of that year, with Powell joined by George Duvivier (bass) and Art Taylor (drums). Accordingly, the sonic quality of the nightclub cuts carries a loose, off-the-cuff feel, while the Massey Hall concert is appropriately fuller sounding. Mingus is well represented here--his composition "Bass-ically Speaking" is included in this reissue, and it is a fine example of Mingus's work. Powell is at his best on "Embraceable You" and "Sure Thing," two Massey Hall cuts that display an expressive undertone and an uncanny connection with the audience.

JAZZ AT MASSEY HALL, VOL. 2

• UPC: 3447576

Personnel: Common Sense (vocals); Tony Orbach (saxophone); Lenny Underwood (keyboards); Kenny Aaronson (bass); Twilite Tone, Tarsha Jones (background vocals); Immenslope, Rayshel.Producers: Immenslope, The Beat Nuts, Twilite Tone.The first album by Chicago MC Common, CAN I BORROW A DOLLAR?, is widely accepted in hip-hop's underground as a classic. Raw cuts like "Blows to the Temple" demonstrate why, and give listeners a glimpse at a legend in the making.With CAN I BORROW A DOLLAR?, a younger, more careless Common was simply out to demonstrate his talents to a nation obsessed with New York and L.A. rap. The lo-fi beat structure of the album is reminiscent of the music of the early '90s, when heavy jazz and funk influences dominated East Coast hip-hop. Though the disc is layered with gritty beats and samples that now seem familiar, they seem vibrant when put into context with other material of the same era. The Beatnuts offer one of their early productions on "Heidi Hoe," a track that may shock listeners who are used to Common's more reflective, socially aware lyrics of today. While certainly not his best work, die-hard fans won't be disappointed.

Common - Can I Borrow A Dollar (CD NEW)Label: RelativityFormat: CD MODRelease Date: 06 Oct 1992No. of Discs: 1UPC: 088561108427Album Tracks1. A Penny For My Thoughts2. Charms Alarm3. Take It EZ4. Heidi Hoe5. Breaker 1/96.

• UPC: 3464472

Ali MacGraw - Famous Quotes Laminated POSTER PRINT 24x20 - I'm a New Yorker, and working in New York was divine for me. I loved working there and going to work there, which I've been able to do three

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• UPC: 563654222
• Color: White

Charles Nelson Reilly - Famous Quotes Laminated POSTER PRINT 24x20 - Capricorns like to stay in one place. I have to go to work in places like New York, but basically, I don't want to go anywhere. On

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• UPC: 733767215
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Employees of the New York Railways Company go out on strike New York Car Strike has women transported to work in an open sided male driven vehicle Poster Print

Employees of the New York Railways Company go out on strike; New York Car Strike has women transported to work in an open sided male driven vehicle was reproduced on Premium Heavy Stock Paper which

• UPC: 812114480
• Model: BLL058746088LLARGE
• Color: Multicolor
• Size: 24 x 36

Dick York - I took pain pills to get to sleep because I didn't want to go to work the next day exhausted - Famous Quotes Laminated POSTER PRINT 24X20.

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• UPC: 421607075
• Size: 24"X20"24\" x 20\"

Go Greyhound - New York Vintage Poster (artist: Ruth) USA c. 1959 (100% Cotton Tote Bag - Reusable)

Printed in America!100% Cotton, Pre-shrunkBag Size: 12" Wide, 14" Tall, and 7" DeepImage Size: 7" x 10"Durable straps double-stitched for strengthPermanent printing: fade resistant, machine wash

• UPC: 138534111
• Model: LANT-73125-TT
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Bowery Electric: Martha Schwendener (vocals, various instruments); Lawrence Chandler (various instruments, programming, samples, scratches).Recorded at Electric Sound, Brooklyn, New York.When Lawrence Chandler and Martha Schwendener first spiked Bowery Electric's gorgeous wash of dream-pop guitars and voices with looped hip-hop beats, the New York-based duo was a few steps ahead of the game. The music world eventually caught up, trip-hop happened, and the combination proffered by 1996's landmark BEAT quickly became commonplace. LUSHLIFE, Bowery Electric's belated follow-up, strikes back with stronger songs and sharper production, bucking the trip-hop trend.LUSHLIFE's after-dark cityscape incorporates the best atmospheric elements of hip-hop, dub, downtempo, and soundtrack design. Profound basslines burrow beneath velvety string swatches ("Deep Blue," "Lushlife") and organ shimmers, guitars glittering everywhere like motes of stardust. Chandler's programming and production match the sparse, spooky eloquence of the RZA's Wu-Tang work, particularly on "Psalms of Survival," "Saved," and the album finale "Passages." Schwendener's vocals drift dreamily, surveying an unbroken neon skyline of samples, scratches, and breakbeats. The sweet pop snarl of "Freedom Fighter" makes for an ideal single, though the song seems slightly at odds with the album's finely tuned melancholic mood.

LUSHLIFE *

• UPC: 3482587