Behind the "Big Houses" of the antebellum South existed a different world, socially and architecturally, where slaves lived and worked. John Michael Vlach explores the structures and spaces that formed the slaves' environment. Through photographs and the words of former slaves, he portrays the plantation landscape from the slaves' own point of view.The plantation landscape was chiefly the creation of slaveholders, but Vlach argues convincingly that slaves imbued this landscape with their own meanings. Their subtle acts of appropriation constituted one of the more effective strategies of slave ... [Read More]
1,Registered Artwork Brand: TUMOVO Since 2015,TUMOVO has been obsessed with one thing: providing customers with the highest quality canvas wall art anywhere. 2,Our Product "High definition picture printing on water-proof polyester canvas (280GSM) HD Photo Prints on Quality Canvas, long lasting durability coating (Eco-solvent Ink), this Canvas Prints is water-proof, moisture-proof and UV-resistant.Once printed, the canvas is hand-stretched on formaldehyde-free MDF stretcher frames for a lightweight and warp resistant finish.
How is slavery presented at the public and private plantation museums in the American South, almost 150 years after the Civil War? Jennifer L. Eichstedt and Stephen Small investigated this question in Virginia, Georgia, and Louisiana by touring more than one hundred plantation museums; twenty locations organized and run by African Americans; and eighty general history sites. Their findings indicate that the experience and legacy of slavery is still inadequately presented within the larger discourse surrounding race, racism, and national identity.The vast majority of slavery sites construct nar... [Read More]
Time and again, New York Times bestselling author Karen White has proven herself to be the “ultimate voice of women’s fiction.”* Now, you can revisit the beginning of her signature style in two of her earliest novels—completely revised and together in one volume for the first time. In the Shadow of the Moon When Laura Truitt first sees the dilapidated plantation house, she’s overcome by a sense of familiarity. Inside, the owner claims to have been waiting for years and offers an old photograph of a woman with Laura’s face. Soon afterwards, when a lunar eclipse inexplicabl... [Read More]
Benjamin Hawkins (1754-1816). /Namerican Planter, Politician, And Indian Agent. On His Plantation In Georgia, Teaching Creek Native Americans How To Use A Plow. Oil On Canvas, 1805, By An Unknown Artist. is a licensed reproduction that was printed on Premium Heavy Stock Paper which captures all of the vivid colors and details of the original. The overall paper size is 24.00 x 36.00 inches. This print is ready for hanging or framing and would make a great addition to your home or office decor.
In this carefully crafted work, Jeffrey Young illuminates southern slaveholders' strange and tragic path toward a defiantly sectional mentality. Drawing on a wealth of archival evidence and integrating political, religious, economic, and literary sources, he chronicles the growth of a slaveowning culture that cast the southern planter in the role of benevolent Christian steward--even as slaveholders were brutally exploiting their slaves for maximum fiscal gain. Domesticating Slavery offers a surprising answer to the long-standing question about slaveholders' relationship with the proliferating... [Read More]
Benjamin Hawkins (1754-1816). /Namerican Planter, Politician, And Indian Agent. On His Plantation In Georgia, Teaching Creek Native Americans How To Use A Plow. Oil On Canvas, 1805, By An Unknown Artist. is a licensed reproduction that was printed on Premium Heavy Stock Paper which captures all of the vivid colors and details of the original. The overall paper size is 18.00 x 24.00 inches. This print is ready for hanging or framing and would make a great addition to your home or office decor.
Looking closely at both the slaves' and masters' worlds in low, middle, and up-country South Carolina, Larry E. Hudson Jr. covers a wide range of economic and social topics related to the opportunities given to slaves to produce and trade their own food and other goods―contingent on first completing the master's assigned work for the day. In particular, Hudson shows how these opportunities were exploited by the slaves both to increase their control over their family life and to gain status among their fellow slaves.Filled with details of slaves' social values, family formation, work patterns... [Read More]
The Plantation Menu Memorial Drive in Stone Mountain Georgia 1950's An original 4 page menu with clipped in Special Plantation Luncheon Menu from The Plantation at 5628 memorial Drive in Stone Mountain Georgia, Circa 1950's and in very good condition. Measures about 9 x 13 when closed. A Travelers, Wayfarers and Refined Persons Bill of Fare.Exported By ExportYourStore
This study offers a new and challenging look at Christian institutions and practices in Britain’s Caribbean and southern American colonies. Focusing on the plantation societies of Barbados, Jamaica, and South Carolina, Nicholas M. Beasley finds that the tradition of liturgical worship in these places was more vibrant and more deeply rooted in European Christianity than previously thought. In addition, Beasley argues, white colonists’ attachment to religious continuity was thoroughly racialized. Church customs, sacraments, and ceremonies were a means of regulating slavery and asserting whit... [Read More]
At Palmetto Farms, stone ground grits are made from premium non-GMO corn selected specifically for its flavor profile. The grain is slowly ground in a traditional stone mill so that it retains all of the natural oils found in the germ (heart of the corn). When Palmetto Farms stone ground grits are cooked they are smooth, creamy, delicious, and full of that rich natural flavor. There is no chemical processing, nothing added, and nothing taken away. Real stone ground grits are "speckled" and will always contain small specks of corn bran and tip cap.
From the stately Gothic Revival and Regency-style houses of Savannah to the majestic, multicolumned plantation homes that punctuate rolling farmlands throughout the state, David King Gleason presents a splendid pictorial record of Georgia's fines pre-Civil War residences.The book begins with the town houses of Savannah, which include such landmark residences as the Andrew Low House, built in 1848 in the style of an early Victorian Renaissance villa, and the imposing Gree-Heldrim House, a Gothic Revival mansion that was the most expensive house built in Savannah prior to the Civil War. Wild Her... [Read More]
A shackled West African tribe drags themselves off aslave ship while singing, drowning in a Georgia creek to avoid being sold. Mysterious letters from a long-ruined church near Mepkin Abbey solicit a man to join faith. A French teacher disappears from a school after marking final exams in blood. An Egyptian mummy triggers a heart attack in a city museum. These stories and more are wrenched from the gravest parts of America's past--real lives of people on plantations from Savannah and the coast of the Carolinas. Most deal with the hub of the East Coast slave trade, Charleston, South Carolina. A... [Read More]
Savannah is as Southern a place as has ever existed, and the Savannah River Plantationswere the pinnacle of Southern heritage. Place names such as Richmond Oakgrove, MulberryGrove, Drakies, Whitehall, and Colerain signified extensive land holdings,
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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact,
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