Giordano Bruno (1548–1600) is one of the great figures of early modern Europe, and one of the least understood. Ingrid D. Rowland’s biography establishes him once and for all as a peer of Erasmus, Shakespeare, and Galileo—a thinker whose vision of the world prefigures ours. Writing with great verve and erudition, Rowland traces Bruno’s wanderings through a sixteenth-century Europe where every certainty of religion and philosophy has been called into question, and reveals how he valiantly defended his ideas to the very end, when he was burned at the stake as a heretic on Rome’s Cam... [Read More]
This 6-panel laminated quick reference guide is part of the "Award Winning Professors Series "Poetry if speech framed...to be heard for its own sake." - Gerard Manley Hopkins. Some speak of "analyzing" poetry. The Oxford English Dictionary (OED) reveals the unfortunate metaphorical origins of "analyze": "to take to pieces...to dissect, decompose." The same dictionary says the verb "explicate" is gentler, more respectful of its subject: "to unfold, unroll; to smooth out (wrinkles); to open out (what is wrapped up); to expand (buds, leaves, etc.)." The steps in this Permachart, followed with car... [Read More]
No art has been denounced as often as poetry. It's even bemoaned by poets: "I, too, dislike it," wrote Marianne Moore. "Many more people agree they hate poetry," Ben Lerner writes, "than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore."In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defense of the art. He examines poetry's greatest haters (beginning with Plato's famo... [Read More]
Grammar-school students in Shakespeare’s time were taught to recognize the two hundred figures of speech that Renaissance scholars had derived from Latin and Greek sources (from amphibologia through onomatopoeia to zeugma). This knowledge was one element in their thorough grounding in the liberal arts of logic, grammar, and rhetoric, known as the trivium. In Shakespeare’s Use of the Arts of Language Sister Miriam Joseph writes: “The extraordinary power, vitality, and richness of Shakespeare’s language are due in part to his genius, in part to the fact that the unsettled linguistic form... [Read More]
Greg Whincup offers a varied and unique approach to Chinese translation in The Heart of Chinese Poetry. Special features of this edition include direct word-for-word translations showing the range of meaning in each Chinese character,
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