The original live double album (recorded at the Fillmore in September 1968) from two of the all-time great '60s chop- meisters , with special guests Carlos Santana and Elvin Bishop! Includes Green Onions; Her Holy Modal Highness; The 59th Street Bridge Song (Feelin' Groovy); Mary Ann; That's All Right , and more. New and original notes, photos the goods!
The fathers on this 1969 double LP were Muddy and piano man Otis Spann; the sons were stars of a new generation: Mike Bloomfield, Paul Butterfield, Buddy Miles and more. The original release, Muddy's highest-charting LP, contained studio ( I'm Ready; All Aboard , etc.) and live ( Got My Mojo Working; Honey Bee , etc.) recordings; this reissue adds three unissued tracks and a rare B-side. 75 minutes of music from a once-in-a-lifetime meeting!
(Guitar Educational). The Legendary Licks series presents the music of a band or artists in a comprehensive play-along package. Each book contains note-for-note transcriptions and detailed performance notes on how to play a multitude of classic licks, fills, riffs, and solos complete with recorded demonstrations of each exercise and gear setup tips. This pack includes instruction on playing 11 of Bloomfield's finest, including: Albert's Shuffle * Another Country * Born in Chicago * East-West * The 59th Street Bridge Song (Feelin' Groovy) * It's My Own Fault Darlin' * Killing Floor * Texas * Wi... [Read More]
View lyrics videos for Don't Want Lies and Search and Destroy in the artist store!Two time Rock and Roll Hall of Famer Stephen Stills and five-time Grammy nominated guitarist, songwriter and singer Kenny Wayne Shepherd may be separated by a musical generation, but they are bonded by a mutual love of the blues. When they joined forces with famed Chicago rock/blues keyboardist Barry Goldberg and formed The Rides, their extraordinary collective histories proved to be unparalleled - blazing a 21st Century trail for the historical American art form. Launching an exciting new chapter in each of thei... [Read More]
'60's debut from ex-Butterfield Band guitarist Mike Bloomfield and drummer Buddy Miles. Includes bonus tracks and previously unreleased cuts including Sunny; Look Into My Eyes; Killing Floor; Groovin' Is Easy; Wine and more!
Drawing classical, jazz and R&B into the mix, Blood, Sweat & Tears expanded the boundaries of pop with their 1968 debut. That groundbreaking album-including I Can't Quit Her; Morning Glory; Without Her; My Days Are Numbered , and more-is reissued here with three bonus tracks including two demos!
If the Summer of 1967 was the Summer of Love, the Summer of 1966 set the stage for the musical revolution that was to come. Albums released during the season, like The Beatles’ Revolver and The Byrds’ Fifth Dimension, brilliantly blended the burgeoning influence of Eastern exoticism into the rock music format, and the term “psychedelia” entered the common lexicon to stay. But beating them all to the punch was a multi-racial blues band that cut its teeth in Chicago, far from the hippie havens of London, Los Angeles and San Francisco. Issued in July 1966, The Paul Butterfield Blues Band�... [Read More]
UK remastered reissue combines the blues-rock act's first two albums for Elektra, 'Paul BUTTERFIELD BLUES BAND' (1965) & 'East-West' (1966). Includes new liner notes & rarely seen photos. 2001.
The Electric Flag was an American Blues Rock band formed and led by guitarist Mike Bloomfield along with Barry Goldberg on keyboards, and Buddy Miles on drums. Other musicians in the band included on vocals Nick Gravinites and bassist Harvey Brooks. Originally formed in 1967, they made their first album for Columbia in 1968 with the album NO TIME COMIN. This CD is a selection and the best material recorded for Columbia along with a couple of live tracks recorded at the Monterrey Pop Festival which was the band's live debut.
This invaluable biography of trumpeter and jazz-bebop-fusion innovator Miles Davis (19261991) includes a substantial new introduction that for the first time details Davis's turbulent last decade; the drawing and painting that became an additional creative outlet; the musical lows of his final Freaky Deaky” years; the family warfare that has erupted over his last will and testament; andin a long-awaited exposéthe truth behind Davis's so-called Autobiography, the book that borrowed” gigantic portions from Milestones and passed them off as Davis's. Jack Chambers breaks his silence... [Read More]
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