Limited Edition 80-CD set presenting Claudio Arrau’s complete Philips and American Decca recordings plus his live recording of Beethoven’s Piano Concerto No.4 with Leonard Bernstein on DG. Arrau was among the most deeply satisfying interpreters of Mozart, Brahms, Schumann, Liszt, Chopin and particularly Beethoven. Includes recordings with Sir Collin Davis, Bernard Haitink, Leonard Bernstein, Henryk Szeryng, János Starker and Arthur Grumiaux.
- German pressings of the immense Sony Classical Masters Catalog in smart, desirable and collectible multi-disc editions - The Sony catalog is replete with legendary artists and many of the greatest recordings of the classical repertoire - Box fronts feature large, prominently displayed photo of the featured artist - Slender, shelf-friendly boxes; CD's housed in space-saving slipsleeves
Franz Xaver Gebels biographer Ernst Stöckl reported that while there were at least three Gebel string quartets, he was familiar with but one, the published Quartet in D major. Despite persistent research in Russian libraries, he was unable to find the others mentioned in contemporary discussions about concerts. Recently however, the sheet music for the Quartet in E-flat major, printed in Moscow around 1840, where Gebel spent the remainder of his life after 1817, was found in a German library. The Hoffmeister Quartet performs these rarely heard, little-known early-Romantic gems.
First-ever release of Mozart violin works by the legendary Aïda Stucki, a student of Carl Flesch who was the leading violin soloist in Switzerland in the 1950s and later became the most important and influential teacher of Anne-Sophie Mutter. "Aïda Stucki's recognition as an artist is both inevitable and overdue. Her artistry is a timeless inspiration. Her interpretation incorporates bewitching sound and personal instinct coupled with great insight to the wishes of the composer. I admire this great violinist deeply. These recordings are a must for any string player and music lover." -- Anne-... [Read More]
“Unquestionably one of the greatest pianists of all time” is how Gramophone magazine has described Martha Argerich. Her relationship with Warner Classics goes back to 1965 and her victory at the International Chopin Competition in Warsaw. Over several decades it has produced a rich catalogue of live and studio recordings, embracing a repertoire that spans three centuries, a diversity of genres, and collaborations with such figures as Renaud Capuçon, Charles Dutoit, Nelson Freire, Nikolaus Harnoncourt, Gidon Kremer, Mischa Maisky and Itzhak Perlman.
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