Piano music is as essential to France as the opera is to Italy or lieder to Germany. This anthology, a broad cross-section of French piano music, selects and presents 44 short piano works ranging from 1670 to 1906. Twenty-eight composers, all French or active in France, are featured: Jacques Champion de Chambonnières , Jean-Baptiste Lully, André Campra, François Couperin, André-Cardinal Destouches, Jean-Baptiste Loeillet, Jean-François Dandrieu, Jean-Philippe Rameau, François Dagincourt, Louis-Claude Daquin, Johann Schobert, François-Joseph Gossec, Charles-Henri Valentin Alkan, Georges ... [Read More]
Eight of the world's best-loved duets for women are brought together for the first time in one publication. Representing a wide range of styles and composers, these selections from the Baroque, Classical, and Romantic periods are presented with historical information, IPA pronunciation guides, and suggestions for performance. Edited and arranged by Patrick M. Liebergen, this truly valuable collection is an indispensable resource for duet singing.
This volume contains historical and analytical essays on Anton Bruckner and his music. For the past century the principal concerns of scholars of Bruckner's music have been his personal and musical relationship with Wagner, editorial problems in his scores, his enigmatic personality, and the assessment of his monumental late-nineteenth-century style. The studies in this volume consider these issues in the light of the latest research. Of interest to the lay person will be the discussions of the manner in which politics and special interests have affected the dissemination and perception of Bru... [Read More]
An updated and expanded edition of this perennial favorite, tracing the line of composers from Monteverdi to the tonalists of the 1990s. In this new edition, Harold Schonberg offers music lovers a series of fascinating biographical chapters. Music, the author contends, is a continually evolving art, and all geniuses, unique as they are, were influenced by their predecessors. Schonberg discusses the lives and works of the foremost figures in classical music, among them Bach, Mozart, Beethoven, the Schumanns, Copland, and Stravinsky, weaving a fabric rich in detail and anecdote. He also includes... [Read More]
Following the success of Chopin Studies, this second volume of essays contains the most recent Chopin research of twelve leading scholars. Three main themes are addressed: reception history, aesthetics and criticism, and performance studies. The essays explore Chopin as classical composer, as salon composer, as modernist, as "otherworldly," as androgyne, and define aspects of his musical language, including narrative structures, progressive tendencies and functional ambiguity.
Antonin Dvorák made his famous trip to the United States one hundred years ago, but despite an enormous amount of attention from scholars and critics since that time, he remains an elusive figure. Comprising both interpretive essays and a selection of fascinating documents that bear on Dvorák's career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal. The essays, which make up the first part of the book, begin with Leon Botstein's inquiry into the reception of Dvorák's work in German-speaking Europe, in England, ... [Read More]
Britta Lee Shain was a friend of Bob Dylan's until he asked her to join him on the road in the mid 1980s, at which point she became more than a friend. In this intimate and elliptical memoir of their time together, at home in Los Angeles and on tour with Tom Petty and the Grateful Dead, she offers a unique portrait of the romantic, earthbound, and poetic soul trapped in the role of Being Bob Dylan.Entire libraries of books have been written about Dylan, but few--if any--offer any lasting insight into the man behind the shades. Until now. Written with the elegance of a poet and storytelling sna... [Read More]
The music of Antonin Dvorák defies fashion. He is one of the very few composers whose works entered the international mainstream during his own lifetime, and some of them have remained there ever since. The pieces that historically define his international reputation, however, represent only a small fraction of what he actually composed. They comprise just one facet of his complex and remarkably rich artistic personality. This book invites readers to celebrate his extraordinary achievement and experience the pleasure of getting to know more than 90 of his most important works. This edition al... [Read More]
Joseph Haydn's symphonies and string quartets are staples of the concert repertory, yet many aspects of this founding genius of the Viennese Classical style are only beginning to be explored. From local Kapellmeister to international icon, Haydn achieved success by developing a musical language aimed at both the connoisseurs and amateurs of the emerging musical public. In this volume, the first collection of essays in English devoted to this composer, a group of leading musicologists examines Haydn's works in relation to the aesthetic and cultural crosscurrents of his time. Haydn and His World... [Read More]
This study of a hitherto neglected aspect of Liszt and his music aims to restore a balanced view of both man and artist. In contrast to the familiar portrayal of the virtuoso pianist, Liszt is considered here as a serious man of ideas: in tracing the composer's relationships and attitudes to the twin themes of revolution and religion, Paul Merrick finds much of Liszt's music, both secular and sacred, to be inspired by the same deeply felt religious conviction that also governed his private life from an early age. The first part of the book is primarily biographical and considers Liszt's reacti... [Read More]
This new investigation of the Brandenburg Concertos explores musical, social, and religious implications of Bach's treatment of eighteenth-century musical hierarchies. By reference to contemporary music theory, to alternate notions of the meaning of "concerto," and to various eighteenth-century conventions of form and instrumentation, the book argues that the Brandenburg Concertos are better understood not as an arbitrary collection of unrelated examples of "pure" instrumental music, but rather as a carefully compiled and meaningfully organized set. It shows how Bach's concertos challenge (as ... [Read More]
Here are six of the most studied, performed, and recorded trios for piano, violin, and cello. They include the popular trio in D Major, Op. 70, No. 1, which was named the "Ghost" trio by Beethoven's student, Carl Czerny, who thought the eerie second movement suggested the specter of Hamlet's father.Additional works include the trio in E-flat Major, Op. 1, No. 1; the trio in G Major, Op. 1, No. 2; the trio in C Minor, Op. 1, No. 3; the trio in E-flat Major, Op. 70, No. 2; and the trio in B-flat Major, Op. 97, also known as the "Archduke" trio. These works are reproduced from the authoritative B... [Read More]
So many of the great showpieces of the orchestral repertoire come from the Romantic period in Russia. Poised on the brink of Europe and Central Asia, composers combined the increasingly virtuosic European orchestra with colorful
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